Artful Land Care

Posts Tagged ‘Land’

Red Insulator

In Chores, Landscape on June 19, 2016 at 8:57 am

160619

June 19, 2016 

Land identification does not change easily in rural landscapes.  When a farm, ranch, or corner store passes hands, folk continue to identify it in the name of the previous owner years beyond the exchange.

Ray’s place became part of the farm a few years ago.  The passing of land and its being used differently meant some fence lines would need to come down and other go up.  However, I found knowing my neighbor well, meant I felt out of place any time I was on soil that once was his.  Because of that, I’ve waited to remove and construct fences.  Eventually, however, the time came to get the work done.

H-braces hold fence lines taut and are the first features built.  Theses went up in the early spring.  A month later T-posts were driven and then wire stretched.  The fence is a five wire fence.  The top two wires are barbwire, the next is electric fence wire, the fourth barb, and the bottom electric.  The pattern works well for a cow and goat operation.  The barbwire keeps cows in place and the goats, who duck through the barbwire easily enough, are stopped by the electric wire.

Wire clips hold the barbwire to the fence posts.  Insulators hold the electric wire to the same posts.  I had a number of insulators on hand from pulling them off old posts; some from the farm and others from Ray’s place.

When working a neighbors place you are acutely aware they are never quite gone.  That has a lot to do with why locals call places by the last owner’s name—even if it has been decades since they last lived there, and why local folk know the land being fenced as the old Brown place.  Fair enough, the working sweat and blood of those people are embedded in the soil they lived and worked on all those years.  One does not need be the best listener in the world to hear those voices of work long after they have left the land. Read the rest of this entry »

Advertisements

Seasonal Change

In Peace & Justice, Poetry on March 20, 2016 at 8:47 am

160313

last of winter sun
whispers, my sky color
is soon of ground

 

Steel Tied

In Poetry on March 6, 2016 at 8:00 am

190306

sun begs rail shadow
of dark and light
balanced travel of steel

The Sentient and Soulful Landscape

In Landscape, Theology on February 28, 2016 at 1:00 pm

160214

February 28, 2016

She was nailing it! Speaking on how the Federal and State government were dealing with an environmental issue in northern California, she told stories of her family, earth, and water. Yet, many folk in the room of predominantly non-Indian middle (more or less) class folk were not getting it.

A problem with being middle (more or less) class in the US, is to have made it out of poverty and subsistence living, folk did it by obtaining and accepting a western education. While this education has served us well in obtaining a good money-earning job, it has done a shabby job of having us maintain relationship with the spirit of the landscape.

I grew up with an Okie neighbor who told stories. Those stories kept him in relationship with folk, told much about him, and spoke to his outlook on life, land, the future, and the past. Most often peppered with words most folk would find inappropriate for children’s ears—and many adults for that matter—they were the racy stories that kept a young teenagers attention from beginning to end. From him I learned stories spoke truth and were much easier to remember later than, say, the historical dates being taught to me in school. His stories also helped me know there is life and ways of being different from my normal. Which meant later in life I heard other stories as truthful rather than fantasyful.

Another friend, a Yakama, told me stories of her and her family’s life growing up in landscape of ancient people. Her stories walked a path that before too long intersected with a rabbit trail. Not one to walk away from an adventure, her story wandered the rabbit trail, many times finding and taking another trail. Often, but not always, a trail would be found leading back to the original path. Whether the story found the original path or not, each story found its way to a natural truth needing telling. Read the rest of this entry »

Welcome

In Art, Landscape, Poetry on November 29, 2015 at 8:00 am

15.11.29a

soil lines
beckon wonderment
of foot, mind, spirit

 

Zucchini’s Cunning Effort to Populate Creation

In JustLiving Farm on November 1, 2015 at 10:00 am

15.11.01

November 1, 2015

Early in the spring we put out three zucchini plants and two crookneck. More plants than we normally plant, but we figured we would get through them just fine. However, a freeze came along. Figuring the plants had died, we put in five more. The days were busy in the spring and we didn’t get around to pulling the dead ones for a week. When we did, they all had the beginning of new leaves, so, we let them grow.

Anyone who has grown a zucchini plant knows what happened next. Nothing is as proliferate as a zucchini plant. Once it gets procreation of seed on its plant mind, it cannot shake it loose. Now, I like zucchini as much as the next guy, but after having zucchini every night for three weeks, options are tenuous. I told a recently retired friend about our hardship. He was in the process of cleaning up his library, and when he arrived at the coffee shop the next week he handed me a zucchini cookbook, with a smile. Knowing him for the gardener he is, I wondered if there was bountiful laughing behind the smile. I still do. We got by two more weeks on that cookbook though.

Keeping up with the zucchini was hard during the early weeks. Impossible in the later weeks. Wheelbarrows full of squash, two or three or four feet long, headed back to the goats each week. After dumping them, took a square head shovel, and chopped them into three and four inch pieces. That worked well, the chickens and goats ate and ate, for a couple of weeks. I guess zucchini has its limits for everyone—except the soil.

By mid-summer we found zucchini plants in the pastures. Obviously, these plants were from the last year’s natural chicken sowing efforts of the few zucchini we dumped. Which gives wonder and fear to what the soil will do next summer with the extraordinary number of seeds the chickens must be spreading this year.

With zucchini stacked on the back porch, the laundry room half-full, and the hardly able to open the pumphouse door without them tumbling out, I wondered how to tell this story. Then Gene Logsdon wrote The Good, the Bad, and…the Zucchini last week. Sooner or later, every writer who grows zucchini has a zucchini story. Logsdon nails the zucchini story this year. So, instead of wondering how to tell our story, I invite you to hear a story of intrigue, humor, scheming, and zucchini’s cunning plot to invade every nook and cranny of the world. And I will go have a slice of zucchini bread.

***** Read the rest of this entry »

Sidle Up To The Fenceline

In Chores, JustLiving Farm, Landscape on April 5, 2015 at 8:00 am

15.04.05a

April 5, 2015

Ray and I spoke across the fenceline for fifteen years. Each Christmas, whether we needed to or not, our families got together. When Rebecca and Andy’s wedding came, Ray and Mary were there. Ray and I didn’t see eye to eye on everything and I am glad we didn’t—made life a little richer, but we when it came to the joy of working land, we had pretty darn the same mindset. Ray passed away a few years ago and his place was split up. We picked up the land—someone else the home and barn—not long afterwards. I think of Ray whenever I am working the place. However, I sorely miss the fenceline conversations.

Ray flood irrigated the land. Each spring he hooked a V-ditcher up to the 3-wheel tractor and pulled ditches. Just like it sounds, the V-ditcher is a huge V shaped metal implement. When pulled behind a tractor it pulls dirt up and out of the ground leaving a V-shaped ditch. Once pulled, the irrigator runs water down the ditch. Siphon tubes then transfer water from the ditch into the field. The practice of ditching and siphoning is laborious. Which has a lot to do with my intention of using sprinklers to irrigate the field.

To flood the land, Ray created a series of crisscrossing ditches. The large supply ditches run the property’s boundary. Changing to sprinklers means all the ditches need filling. To do so, I run a spring-tooth implement up and down the mounds of dirt along each side of the ditch. After loosening the dirt mounds, I use a 3-point blade to turn the soil back into the ditch.

15.04.05b Read the rest of this entry »

Sageness in the Canyon Landscape of Prickles, Songbirds, and Sunlight

In Art, Landscape, Reflections on February 22, 2015 at 8:00 am

15.02.22

February 22, 2015

When I am in southern California I take a few hours and walk a canyon. On the backside of two weeks of traveling and meetings, I finally found myself walking a southern California canyon on a Saturday morning. Entering the north-south canyon before sunrise, I hoped to hear the canyon awaken as the sunlight made its way from ridgetop to canyon floor. Also, its being a southern California canyon just outside of Camarillo, I hoped to have it all to myself for a little of a while.

I hiked this same canyon in September. Showing the effects of the ongoing drought, the canyon was dry and brittle. Normally, hiking these canyons in the fall, there are the jewels of prickly pears hidden in the crevasses of northern exposures. Pears make hiking a wonderful taste. This particular canyon has an abundance, ripe for the picking. They also have an abundance of hairlike prickles called glochids, near impossible to see, covering them. Should you pick a pear, the prickles from the fruit detach and leave you with a handful of stickers. You can get around this by lighting a match and burning the prickles off. However, it being a brittle dry fall, it did not seem wise to start any fire, even if it was only a match, so I did without pears.

15.02.22b Read the rest of this entry »

Walking With Dead In A Landscape Of Art

In Art, Landscape, YCM on November 23, 2012 at 10:23 am

November 23, 2012

This month began with a Field Trip for a few of the My Future students.  Many of their artwork made up a Dia de los Muertos alter presented in downtown Yakima.  Like with other artful students, My Future youth helped create an alter asking and answering questions of life and death.

Being present and intentional with Day of the Dead (Dia de los Muertos) calls an artist to consider the rightness or wrongness of their art.  For one whose ancestral culture is that of Dia de los Muertos there is a normalcy to participating in a long tradition of art that plays at that edge of death and life.  But for those of us whose culture is of landscapes other than that which birthed Dia de los Muertos the question must be asked, can we be artful and not disrespectful?

Many American Indians remind non-Indians their participation of Indian practices is a fragile one.  From sweats to sage smoke, flutes to the four winds, American Indians recognize many non-Indians appropriate their practices—Such appropriation not always for financial or social gain, rather, acts, such as the use of cleansing sage smoke, are done without embodying the fullness of the sage’s landscape.  Due to centuries of appropriating bodies from sacred burial sites for scientific study to decades of claiming religious and social practices for non-Indian events and ceremonies, American Indians rightfully question when non-Indians produce Indian-like art.  Such history calls the artist to carefully question their participation in cultural art that is not their own.

So it is fair to ask why does Dia de los Muertos have such a large presence in the art of My Future?  Fair and important, because the directors of My Future, Belinda and myself, are white, non-Indian, non-Latino/a, and Dia de los Muertos is nothing if not indigenous and Latino/a.

Not appropriating culture art is tricky for artists, because an artist’s being is wrapped around the constant wonderment of landscape.  Wonderment often leads to eternal questions of life and death, hurt and joy, love and rejection.  One instance of art where an artist found life and wonder outside his culture of birth is Starry Night.  In painting Starry Night the Dutch artist Van Gough beckons the observer into an intimate relationship with the French landscape.  Van Gough presents a landscape of swirling cypress, mountains, and sky, which calls the observer to open the door of finitude, walk out the angular home, church and steeple in favor of entering the cosmos of mystery and wonderment.

Another instance is Woody Guthrie’s song This Land Is Your Land.  Guthrie moves beyond the landscape of birth and asks the listener to consider the landscape of a continent.  Similar to Van Gough, Guthrie calls the listener to an experience of wonderment so large the listener must become fluid where tactile and emotion become one.  In this context of grandeur sky and land, plants and clouds, and water and voice, Guthrie destroys concepts of ownership and No Trespassing signs.  Artists, by nature, reach into the landscape in which they find themselves to mold and breathe life as to beckon us into creations texture.  Such reaching in, though,matters because embedded in the landscape is culture, and it is this life of the ancients which calls the artist to enter into a landscape conversation which strives for art to jump the chasm of appropriation and become an appropriate reflection of culture.

The landscape of My Future is one of America.  Not the nationalistic U.S. america, but peoples America of North, Central, and South America.  This is landscape of an imagined borderless continent where youthful artists walk freely because walls fade and land speaks freely.  Such a landscape does not assume, but speaks the voice of teacher.  This relationship, when done well, allows the student artist to awaken to their place in the culture of landscape.  This place of learning helps the student become a non-assuming artist who embodies the landscape’s voice.

Doing our best to listen to landscape does not mean culture is never appropriated, but rather, My Future staff and students hope their Dia de los Muertos art grasps to reflect their conversation with the landscape, presenting art that is reverent.

Fall’s Fence

In Chores, JustLiving Farm, Seasons on October 22, 2012 at 7:57 am

October 22, 2012

As we worked putting up temporary fence around the hay fields, it is apparent fall now owns the valley landscape.  First snow has fallen on the foothills to the west.  Wind blows steady from the west.  Sun glitters leaf edge—alfalfa, grass, and neighbors dry corn stalk.

Pulling wire and driving posts this time of year is a gift.  The fall wind hasn’t blown so long and hard that it tiring and obnoxious.  Instead, it heightens awareness allowing for considerations easily walked by otherwise.  Mixed with sun and fall smells, the wind whispers the fence from chore of metal upon metal to plate rim.

In the next day or so, most of the fall fencing will be done and the field transforms from hay to a large vegetarian supper plate.  A time of rejoicing.  Animals have an abundance of feed and we have the freedom of not feeding every morning and evening throughout most of the winter.  Such rejoicing lived time and again when wind and cold push temperatures into the single digits—or worse—and animals feed while we watch from the warmth of house.

Fall joy.